In 2010 he was named a United States Artists Fellow. Bradley Fellowship at Yale University, the Charles MacArthur Fellowship at the Eugene O'Neill Theater Center, an HBO Fellowship in playwriting and the Alfred Hodder Fellowship at Princeton University. In film, Wright’s credits include screenplays for Fine Line Features, Fox Searchlight, and DreamWorks SKG.He is a member of the Dramatists Guild and serves on the board of New York Theatre Workshop. The musical had a brief run on Broadway in March and April 2013 after premiering at the La Jolla Playhouse in 2012.For television, Wright worked on four pilots for producer Norman Lear and teleplays for Hallmark Entertainment and HBO. In another La Jolla commission, he wrote the book for the musical Hands on a Hardbody, with the score by Amanda Green and Trey Anastasio. He adapted the Disney's film The Little Mermaid for the Broadway musical, which opened in 2007.In 2009, he was commissioned by the La Jolla Playhouse to adapt and direct Creditors by August Strindberg.
The musical is based on the Maysles brothers’ 1975 film documentary of the same title about Edith Ewing Bouvier Beale (“Big Edie”) and her daughter Edith Bouvier Beale (“Little Edie”), Jacqueline Kennedy Onassis’s aunt and cousin. The subject of this one-person play, which starred Jefferson Mays, is the German transvestite Charlotte von Mahlsdorf.In 2006, Wright wrote the book for Grey Gardens.
It transferred to Broadway where it won the Tony Award for Best Play, as well as the Pulitzer Prize for Drama. In 2000, Wright wrote the screenplay for the film version of Quills which starred Geoffrey Rush.Wright’s I Am My Own Wife was produced Off-Broadway by Playwrights Horizons in 2003. Quills garnered the 1995 Kesselring Prize for Best New American Play from the National Arts Club and, for Wright, a 1996 Village Voice Obie Award for Outstanding Achievement in Playwriting. Doug Wright’s play Quills premiered at Washington, D.C.'s Woolly Mammoth Theatre Company in 1995 and subsequently had its debut Off-Broadway at New York Theatre Workshop.
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